"Get Out" and the Death of White Innocence

March 27, 2017 | The New Yorker |

But one cannot help but compare the zany satiric bite of “Get Out” with the resonant intelligence of Baldwin in “I Am Not Your Negro.” Both of these films, in their different ways, mock and cheer the death of white racial innocence. [...]

The power of “Get Out” and “I Am Not Your Negro” resides partly in the films’ ominous whispers and parallel reveals. We’ve hit a turning point; so much trauma has gone down in the last eighteen months that even the most delusional white person can no longer credibly strike a pose of white racial innocence.